Flute Choir

Paige Dashner Long arranged the finale from Dvorak's "New World" Symphony for the 2014 Metropolitan Flute Orchestra tour to Hungary, Poland and the Czech Republic. Built-in flexibility and a medium

This is a light original composition for flute choir that is meant to portray the happiness and quality of life in the USA. The work has intergenerational appeal with cheerful and lively melodies as well as

This title may be easily recognized as the theme used in Ken Burns' TV chronicle The Civil War. This haunting melody works perfectly with flutes in a quartet setting or expandable flute choir group.

Based on the hymn GOD OF LOVE, this hymn tune adaptation was written for the fantastic flute section during my time teaching at Tabor College. This offering was a featured chamber work on the 2013 spring

This is a fast piece that lays well under the fingers. The piece is a showcase for the flute choir and gives a demonstration of the various instruments of the ensemble. There are two short segments which

From Swan Lake, Op. 20, this arrangement is written for 2 piccolos, 3 flutes, 3 alto flutes, bass flute and optional contrabass and contra alto flute. Great contrast is demonstrated in this

This versatile arrangement will be a really snappy addition to your repertoire! Arranged for expandable flute choir, Sousa's tuneful march is a great energizer and will really have the crowd's toes tapping.

To mark its 50th anniversary, the Flute Society of Washington commissioned Daniel Dorff to compose a celebratory work for large flute ensemble to premiere en masse at its 2016 convention. Dorff responded

Forest Devil Waltzes was composed for a celebration commemorating the 80th birthday of Karl F. (Fritz) Kraber, retired Professor of Flute at the University of Texas at Austin and a founding member

This is an anthology of tried and tested, fun enrichment repertoire for group classes, concerts, institutes, and workshops. The ensembles are designed for use in either a reading-based or Suzuki context.

Sir James Galway first came upon Gilbert and Sullivan's wonderful operettas while playing with Sadler's Wells Opera orchestra. His fondness for good tunes, with which the Gilbert and Sullivan operettas

Greensleeves Fantasia is based on two medieval songs, The Ballad Of Lady Greensleeves and Lovely Joan. The familiar melodies are developed in both lyrical and contrapuntal

Endearing and laden with motion, this poignant pop-jazz quintet for four flutes and alto flute begins with a haunting low solo, builds through countermelodies and bell tones to its tense climax, and closes